One thing you have to realize is what we consider a cinematic look is really just the history of technology, the history of different cameras. Film Grain: Fine to Heavy: So in this lesson, I want to talk a little bit about the film and the history of film and where this look comes from.
CINEMA GRADE COLOR GRADING CENTER MOVIE
I think this is one of the main reasons that so many people have trouble making their footage look cinematic, and that's it, they just don't know what traits a movie has that gives that special unique look we all love and are used to seeing. If, for example, you get a film that is very poorly shot or shot with very few cinematic characteristics, it'll be very hard to enhance those characteristics and get a truth film like Look.
The reason I want to go over these things before we jump into the actual grading, is because half of a colorist job is having the eye to spot what can be done and what can't be done.
Learning Cinematic Traits: In this lesson, I want to go over some of the traits that make up a cinematic look. This course is intended for anyone who's looking to improve their footage, improve their knowledge of color correction and color grading, and know what it takes to make something look like a movie. I've created over 40 feature films and I've worked on hundreds of videos for clients such as Product, HBO, ESPN, Sundance Channel, Versace, Pepsi, and a lot more. My name is Fred Trevino and this course is about creating a cinematic look. In this course, we'll go over it, not only how we can get there, but what traits to look for in footage that's already shot to make your film and your project look more like a movie. One of the top request that I get as a colorist is how can I make something look more cinematic? The reason I'm making this course, is because everyone asks this question wants to know. Whenever any of us make a movie, we want it to look like the movies we love, polished, gritty and beautiful. After ten years of experience and having graded over 40 feature films, I've come to learn what makes up a cinematic look.
CINEMA GRADE COLOR GRADING CENTER HOW TO
Wonder how to get it and buy gear, filters, plugins, lights, and more to get to this mysterious, sought-after look. All of these types of films have a very unique look that most of us call a cinematic look. Some of us think of comedy, drama, or horror, or something in between. Intro: When we think of movies, what comes to mind is a very specific look and at the same time, very personal. His goal is to use the experience and skills he's developed over his career to accelerate your learning in the field of color.ġ. His narrative color work has screened at well known film festivals like Sundance, Cannes, and Slamdance.
He's graded over 40 feature films and hundreds of projects for high end clients such as HBO, Versace, ESPN, Under Armour and more. What is a cinematic look? In this course we'll go over what makes up a cinematic grade and how to get there. You'll learn about the many characteristics that make up this look and watch as I grade 2 separate projects to get that polished look we're all after. This course is for beginner to intermediate students who may not be experts but are ready to expand their color correction and grading knowledge.Įnding with a grading session where you'll watch me take a film through to create a cinematic grade! So if you're interested in getting your footage and film to the next level, let jump right in!įred Trevino is a colorist with over 10 years experience.
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